at 438 see also Rodis v Herman Kiefer Hosp, 142 Mich App 425, 370 NW2d 18 (1985).Īlthough the possessor has a duty to act with reasonable care, the measure of what is considered reasonable care varies based on the extent to which the relationship benefits the possessor. As with negligence cases generally, duty is a question for the court to decide.

It doesn't fit with the other four.Premises liability cases are like other negligence cases in that the plaintiff must prove the following elements: (1) a duty owed to the plaintiff by the defendant, (2) a breach of that duty, (3) an injury proximately resulting from that breach, and (4) damages. The Departed is a terrific movie, but it really doesn't feel as personal as his other crime films. Goodfellas is easily the most entertaining one, but all of them are, in the end, pretty sad movies about lost friends and ruined lives. He starts out so wild and edgy with Mean Streets, and ends up so serene and refined with The Irishman. And they all have DeNiro, Scorsese's most iconic collaborator, which adds a layer of meta-ness to the theme of friendship through the ages.Īlso, personally speaking, I think watching those movies in sequence really shows how he has improved as a filmmaker over the years. If there is a unifying theme that I see, it's maybe 'toxic friendship'. With the exception of The Departed, his crime movies seem to have lead characters whose age at the end of the film roughly corresponds with Scorsese's age when he made it: I don't know if they really qualify is a coherent series of films.īut I do think it's that it's a really fascinating way to track the evolution of Scorsese as a filmmaker, and a human being, by watching his crime movies.

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